Sound as a Heritage Object
Hosted by the British Library Sound Archive, our second workshop event will focus on sound as a heritage artefact in its own right, and the speakers during the day have been invited to reflect this particular aspect of audio and heritage research.
Please note: there is no charge to attend the workshop, but places are limited, so please register soon to avoid disappointment.
Please register by Monday 11th May by Emailing info[@]iheartoo.org or by contacting Jude Brereton direct at the contact details given in panel to the right.
Programme
VENUE: Centre for Conservation - see directions post10:00 - Coffee and registration
10:15 - Welcome:
Damian Murphy - I-Hear-Too
Richard Ranft - Head of The British Library Sound Archive
10:30 - Digital Preservation at the British Library Sound Archive
Will Prentice - The British Library Sound Archive
10:50 - The non-contact surface scanning of early sound recordings for the preservation of audio content.
Prof. Martyn Hill, Electro-Mechanical Research Group
School of Engineering Sciences
University of Southampton
11:20 - Renovating historically significant recordings
Jez Wells, AudioLab, University of York
11:40 - Interactive Access to Audio Heritage
Josh Reiss, Centre for Digital Music, Queen Mary University of London
12:00 - Sound Archive Tour: Part 1
12:00-13:00 - Lunch, Networking, Ideas Exchange
13:00 - Sound Archive Tour: Part 2
13:30 - Superfield [Mumbai] - the see-hearing dimension of sound art
Craig Vear, composer and sound artist; Adelphi Research Institute, University of Salford
14:10 - Fakes and Forgeries
Nigel Bewley, Operations Manager, British Library Sound Archive
14:30 - Coffee
14:40 - Developing Research Ideas
15:45 - Summary
16:00 - Close
Additional Information
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